Angel Art: Part 4

This entry is part 4 of 4 in the series Angel Art

Angel Art - 1

Triumph of the Innocents by Holman Hunt

[Part 1] [Part 2] [Part 3] In this front rank of great religious artists we must also place Mr. Holman Hunt, whose work has appealed so strongly to the popular mind, without any deliberate attempt on his part, however, to make it do so. His great picture, “The Triumph of the Innocents,” demands mention here for the beauty of the angelic children who, seen alone by the infant Christ, are accompanying the Holy Family to Egypt. The picture was at the Guildhall Exhibition a year or two ago, and is now in the Walker Art Gallery, Liverpool. . . . → Read More: Angel Art: Part 4

Angel Art: Part 3

This entry is part 3 of 4 in the series Angel Art

Angel Art 1

Guardian Angels

At the close of the previous article [Angel Art – Part 2] I ventured to express the opinion that we should find the most successful modern artists who have pictured the angelic form to be those who have worked in the same simple spiritual manner as did the Pre-Raphaelite Italian painters. The religious ideal in art has been seldom attained: it demands something more than mere technical skill: the quietude of life, the purity of thought, the calm faith which Fra Angelico cultivated, are needed to produce the proper state of mind to direct the physical power of the work. There have been many modern painters who have set themselves to paint religious pictures, but those to whom success can be attributed are few. . . . → Read More: Angel Art: Part 3

Angel Art: Part 2

This entry is part 2 of 4 in the series Angel Art

Angel Art - 5

Heavenly Angels

Bearing these remarks in mind, [Angel Art: Part 1] let us examine the pictorial representations of angels by the early masters in art. It is necessary, too, to remember that Christian art at the first was directed and controlled by the Church. Art was bound to the service of religion: all its life and force were expended upon it, and, indeed, the workers themselves were, for the most part, until the thirteenth century, of the Church. We cannot touch upon the crude productions of the very early artists, and can only barely refer to the culmination of their art as exhibited in illuminated manuscripts. The beauty and delicacy of these decorated parchments are wonderful. With the use of the primary colours and gold, these, to us nameless, workers produced miniature pictures the charm of which—more than six centuries after their creators have passed away—still enthralls us. . . . → Read More: Angel Art: Part 2

Angel Art: Part 1

This entry is part 1 of 4 in the series Angel Art

Angel Art - 1Adam and Eve Pictures

From The Quiver, “Picturing the Angels” by Arthur Fish: And He placed at the east of the garden of Eden cherubims, and a flaming sword which turned every way, to keep the way of the tree of life.” This, the first reference in Scripture to the heavenly hosts, brings involuntarily to the mind’s eye of the reader a conception more or less clearly defined of the angelic guardians of the gates of Paradise. From whence has this idea sprung? Not from the Bible itself . . . . . . → Read More: Angel Art: Part 1